New York Slave Conspiracy of 1741
In 1741, amid fires and social unrest, colonial authorities in New York City accused a group of enslaved Africans and poor whites of plotting an uprising. Fueled by fear and the coerced testimony of a teenage servant, over 170 people were arrested. Seventeen Black men were hanged, thirteen were burned alive, and dozens were exiled—despite little evidence. At a time when nearly 20% of New Yorkers were enslaved, this tragic event exposed deep racial and economic tensions. Historians now view it as a case of mass hysteria and injustice.
In the spring of 1741, a series of fires swept through New York City, including one that destroyed Fort George, the governor's residence. At the time, New York had one of the largest populations of enslaved Africans in the northern colonies—making up nearly 20% of the city’s population. Enslaved people worked in homes, on docks, in workshops, and helped build the infrastructure of the growing city.
In the climate of fear that followed the fires, colonial authorities accused a group of enslaved Africans and working-class whites of plotting an uprising to burn the city and seize power.
Over 170 individuals were arrested. The central testimony came from a 16-year-old indentured servant named Mary Burton, whose claims, under pressure from authorities, implicated dozens. The trials were led by Judge Daniel Horsmanden, who documented the proceedings and relied heavily on hearsay and coerced confessions.
As a result, seventeen Black men were hanged, thirteen were burned at the stake, and four white people were executed. Around seventy more enslaved individuals were exiled to the Caribbean. The events took place in an atmosphere charged with economic tension, racial fear, and anti-Catholic sentiment, particularly due to war with Spain.
Historians widely agree today that the conspiracy was likely exaggerated or even fabricated, driven more by social panic than fact. The trials led to harsher laws controlling enslaved people in New York and have become a lasting symbol of racial injustice in colonial America.
· New York Courts. "The 1741 New York Slave Conspiracy Trials." Historical Society of the New York Courts. https://history.nycourts.gov/case/slave-conspiracy-trials/.
· The Gilder Lehrman Institute of American History. "The New York Conspiracy of 1741." Spotlight on Primary Sources. https://www.gilderlehrman.org/history-resources/spotlight-primary-source/new-york-conspiracy-1741.
· Singer, Alan. "The New York Slave Conspiracy Trials of 1741." January 2020. https://alansinger.net/wp-content/uploads/2020/01/1741a.-slavery-conspiracy-trial.pdf.
Marcus Brown A native of New Orleans, Marcus Brown is a sculptor, painter, inventor, musician, and educator. Brown holds a MEd from Portland State University and BFA from Kansas City Art Institute (KCAI) in Missouri. His work is expansive and includes national and international exhibits and performances. Locations include New York City, Berlin, Germany, and Krakow, Poland, the Ogden Museum of Southern Art, The McKenna Museum of African-American Art, and The New Orleans Museum of Art. Brown currently has public sculptures in Biloxi, Mississippi, HUMS II and The New Leaf on St. Bernard Ave., as well as St. Peter Claver and Henriette Delille at St. Peter Claver School in New Orleans. He also has sound installations at JAMNOLA and recently developed an interactive sound exhibit for the 2022 New Orleans French Quarter Festival. Mentors like the late Lin Emery, John T. Scott, and Jim Leedy, collectively instilled in Brown the importance of always learning and experimenting to create your own path. In that vein, Brown developed a form of painting called Electro-sonic Painting in which the artist paints with sound/data producing instruments. In addition to his performance art, Brown has exhibited with artists such as Andy Warhol, Chris Burden, Hannah Wilke, and others around the world, to name a few.